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In What About the Women, Klabe explores the complex narratives that surround women's identities, histories, and lived experiences. This body of work is a reflection on the unseen forces—both internal and external—that shape, challenge, and define what it means to navigate the world as a woman. Through each piece, she engages with themes of empowerment, vulnerability, silence, and defiance, seeking to create a space where these tensions are not only acknowledged but embraced.
The vibrant colors, muted tones, and complex compositions in her work aims to evoke the dualities women experience—strength and fragility, presence and erasure, joy and sorrow. By blending figuration with abstraction, Klabe strive to create a visual language that reflects the multifaceted reality of being a woman in a world that so often seeks to simplify or stereotype.
This exhibit is both a statement and an inquiry—an opportunity for viewers to confront the subtle and overt ways in which women's voices are silenced, distorted, or celebrated. It is a call to action, a reminder to ask: What about the women? And to listen carefully for the answers.
In What Were You Wearing, Kim Klabe addresses societal judgment and victim-blaming with a powerful portrait. The figure, wrapped in a flowing coat, moves forward with determination, her wind-swept hair amplifying the sense of resilience amid adversity. The earthy tones of her form contrast with the pale, textured background, symbolizing both exposure and concealment. Fragmented, fading text hints at the scrutiny and verbal violence women often face, while the titular question evokes the insidious nature of blame placed on victims. Klabe’s layered composition explores the tension between personal agency and the societal gaze, inviting viewers to confront the complexities of identity, judgment, and resilience in the face of external pressures.
In Take Up Space, Klabe presents a bold figure draped in a vibrant blue gown, extending her arms outward to assert her presence. The woman's firm stance and resolute expression embody a reclamation of agency and defiance against societal marginalization. Holding a crow by her side, the bird serves as a symbol of wisdom and transformation, contrasting with her poised figure. The layered, partially obscured text hints at the silencing of women’s voices, while the act of “taking up space” becomes a statement of empowerment. The interplay of vibrant color and muted background textures amplifies the figure’s resilience, emphasizing her determination to occupy space and reclaim her voice amidst societal pressures.
In Wade, she portrays a lone female figure standing in water, her silhouette rendered in dark, flowing contours against a pale, textured background. The muted blue and gray tones evoke a sense of isolation, while the surrounding abstract elements suggest the fluidity and uncertainty of the environment. The figure's posture, slightly withdrawn yet poised, conveys both vulnerability and quiet strength. The fragmented, faded text beneath the surface of the painting hints at narratives that remain submerged, much like the figure herself. Klabe’s delicate interplay of form and texture invites viewers to reflect on themes of resilience, survival, and the deeper currents of emotion that flow beneath the surface of personal and societal experience.
Be Seen confronts the viewer with an electrifying side profile of a figure caught in the act of vocal expression, as bold, radiant colors explode outward from the head, intertwining with geometric forms and fragmented text. The vibrant yellows, purples, and blues, layered with dynamic brushstrokes and erratic lines, evoke an energy of both urgency and liberation, while the abstracted text in the background suggests a cacophony of voices striving to be heard. The juxtaposition of sharp, angular shapes with the fluidity of the painted figure creates a tension between control and spontaneity, amplifying the emotional intensity of the composition. This work embodies a powerful declaration of presence, a visual metaphor for breaking through silence and demanding visibility in a world saturated with noise and expectation.
This vibrant composition, Go With the Flow, confronts the viewer with an intense, direct gaze, the figure’s face awash in a kaleidoscopic interplay of bold hues and ethereal light. The drips and splatters of pigment bleed into one another, blurring the boundaries between form and abstraction, while fluid, organic shapes swirl around her head like a visual manifestation of her inner world. The dynamic textures and expressive brushwork, coupled with erratic lines and fragmented text, evoke a sense of movement and transformation, inviting the viewer into an emotional and psychological landscape that is as fluid and multifaceted as the colors themselves. This piece speaks to the transcendence of the individual, embodying a radiant, almost celestial energy that challenges conventional representations of identity and presence.
Please No Trousers presents a contemplative portrait rendered in luminous washes of color, where the figure’s face, softly lit by vibrant yellows, oranges, and purples, evokes an inner stillness amidst the swirling abstraction that surrounds her. The layering of translucent pigments and erratic text creates a dynamic interplay between introspection and the external world, as if the figure is emerging from or dissolving into the atmospheric haze of memory or emotion. Her gaze, steady and introspective, invites the viewer into a space of quiet reflection, while the radiant palette suggests an underlying vitality and resilience. The composition oscillates between softness and intensity, balancing the delicate handling of form with the expressive bursts of color that hint at a more complex, unspoken narrative beneath the surface.
Her current body of work is an exploration of the beauty and challenges of women, both in the present and throughout history. Working in mixed media, she employs wood panels, heavy watercolor paper, rice paper, smudged charcoal, pastel pencils, house paint, liquid watercolor, and cut paper, but her materials are constantly evolving, expanding with every new creation. Through layering—building up, stripping away, and rebuilding—she invites the viewer to feel the experiences of these women. Their struggles and stories are hinted at through blurred words, evocative facial expressions, and titles that offer clues to their journeys.
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