Ferleman Gallery

Ferleman GalleryFerleman GalleryFerleman Gallery

Ferleman Gallery

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Chuck Fischer

Chuck Fischer’s geometric abstract constructions, known as Tableaux Reliefs, transcend the boundaries of traditional two-dimensional painting. These intricately crafted works feature textured, multidimensional surfaces that actively engage with the space behind them, creating a dialogue between the artwork and its surroundings. By manipulating depth, color, and texture, Fischer weaves layers of visual intrigue, inviting the viewer to immerse themselves in the composition. His process is guided entirely by intuition and the inherent qualities of his materials, as he forgoes preliminary sketches to craft pieces that achieve a natural sense of spatial harmony and balance. 

copper, aluminum, wood, modeling paste, gesso, acrylic...

Cardinal Red No. 2

Spectrum Composition No. 7

Cardinal Red No. 2

 Cardinal Red No. 2 pulsates with an orchestration of crimson tonalities, interwoven with dynamic metallic linear forms that traverse the composition in a symphony of tension and release. The interplay of layered grids and curvilinear elements invites a rhythmic exploration of space, imbuing the piece with a vitality that oscillates between order and chaos.

Color Block

Spectrum Composition No. 7

Cardinal Red No. 2

 An architectural symphony of color and geometry, Color Block diptych explores the dialectics of fragmentation and cohesion. The juxtaposition of primary and secondary hues within a rigorous linear framework creates a dialogue of vibrancy and structure.

Spectrum Composition No. 7

Spectrum Composition No. 7

Spectrum Composition No. 7

 A transcendent exercise in multidimensionality, Spectrum Composition No. 7 integrates a lattice of intersecting grids with an array of spectral hues. The meticulously rendered circular and angular forms generate a dynamic interplay of perspective and depth, while the subtle gradients suggest an ephemeral quality.

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Tableaux-Relief-No.6

 This sculptural tableau converges the organic with the structural, synthesizing wood-grain textures and angular geometries in a harmonious interplay. The protruding planes suggest an architectural deconstruction, while the intricate assembly of frames and shapes exudes a sense of calculated spontaneity. The work invites a tactile engagement, reflecting the artist's nuanced negotiation of material and form. 

Tableaux-Relief-No.11

 Employing a dynamic integration of draped textile illusionism and rigid wooden geometries, this work transcends the boundaries of sculpture and painting. The juxtaposition of fluid folds against angular rigidity creates a dialectic that is at once harmonious and discordant. The subdued color palette lends a contemplative air to this otherwise kinetic composition. 

Tableaux-Relief-No.18

 An intricate fusion of architectural constructs and painterly gestures, this piece plays with the tension between interiority and exteriority. The draped forms imbue the work with a sense of movement, as though the sculptural elements are in the process of unfurling. The precise alignment of frames and textured planes underscores the artist’s meticulous approach, balancing spontaneity with deliberation. 

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